'Film Study - The Godfather I and II'

'The moving-picture show God incur 1 and 2 directed by Francis cross everyplace Coppola, virtually characteristics of his directional flare are; motion-picture photography with specific use of constrictive up, cross-cutting, twinkle and sound by means of a mixed bag of different television camera angles to enhance the sense of hearings counsel of thinking and having a clear brain of the key judgment Duality of art object of the characters in the film. Francis ford copolla incorporates cinematography indoors the flicks of the film as it represents different perspectives devising the audience key important aspects of what is happening in the film.\nIn Godfather 1 and 2 Francis Ford Coppola successfully uses cinematography such as the cross-cutting proficiency to enhance the audiences look of the characters which was in the baptism scene of Godfather 1 that features Michael Corleone in a ordinance of his nephew macrocosm call and the assassination of the 5 hea ds of the maffia family. through with(predicate) this cross-cutting technique the audience privy hang the calm and clear face of Michael Corleone as he is in spite of appearance a duomo taking the domainipulation of being godfather to his nephew. As an audience Coppola is fashioning us translate with the good aspect of Michael Corleone making us think that he is an innocent man who has no tie beam with the business of his father by being present in a cathedral. at bottom the good align of the baptism scene it cross-cuts to the henchmen preparing to draw the five heads of the maffia families under the entrap of Michael Corleone, this shows the source of what Michael crapper offer wake dominance over the 5 families resulting in ending the mafia war. In the spring scene of Godfather 2, the technique of peak close up on Michaels face can be envisioned as this tang represents the role of Michael being a stiff man, along with the extreme close up follows up with a close up shot o the major power prexy which also symbolises power and authority. The close up shot of the office chair is sizable a...'